A convinced abolitionists and an attentive observer of the Creole society he discovered when staying on Bourbon island from 1842 to 1845, Gustave Oelsner-Monmerqué, a Franco-German journalist, has left us with a novel where the narrative of the fiction intertwines with the reality of a period scarred by the question of slavery.
Karl Kugel, a photographer and visual creator, accepted to read between the lines of the work to rise to the challenge of creating images representing these two facets of the novel.
To discover the visual representation of Noirs et Blancs, esquisses de Bourbon