My Name is February
Exhibition at the Villèle Museum  from 18th December 2023 to 30th October 2024

Identities Rooted in Slavery

From 18th December 2023 to 30th October 2024, the Villèle historical museum is hosting an exhibition entitled My Name is February, designed by the Iziko Slave Lodge Museum in Cape Town, South Africa.

Reunion Island and South Africa share a common history of slavery. In order to share this history, the Departmental Council of Reunion has signed a partnership agreement with Iziko Museums of South Africa. This initiative is part of the project to create the Museum of the estate and of slavery in Reunion. The agreement will result in an exchange of exhibitions between the Villèle Museum and the Slave Lodge Museum, two heritage institutions working on the same theme, centred on the history of slavery.
As 2023 draws to a close, visitors can look forward to a series of cross-disciplinary exhibitions. While Africans have been discovering The Name of Freedom, an exhibition from the Reunion departmental Archives, since 1st December, visitors to Villèle museum will be able to see My Name is February from 19th December.

Enslaved people were brought to the Cape by the Dutch East India Company as forced labour for the expanding settlement at the Cape. The first ship-load of slaves was brought in 1658. Between 1658 and the early 1800s over 63 000 men, women and children were snatched from their homes in places such as Madagascar, Mozambique, Zanzibar, India and the islands of the East Indies such as Sumatra, Java, the Celebes, Ternate and Timor (Indonésie) and brought to the Cape as slaves.
Stripped of their homes, families and friends, cultures, languages, religions, and identities these enslaved people became the property of others. They had no rights to their own children; their production and reproduction was controlled; they could not own property; and did not have the freedom to choose who they wanted to work for or the kind of work they wanted to do.
Initially the Dutch East India Company was the biggest single slave-holder at the Cape. As more and more free burghers occupied land at the Cape they too made use of slave labour and by the early 1700s there were more enslaved people ‘owned’ by the free burghers.
While the so-called “company slaves” generally kept their names, though incorrectly spelt by the officials, with the area that they were from appended to the name (e.g. Abasembie van Zanzibar, Nelanga van Mosambique, Mabiera from Madagascar, Toemat van Sambouwa, Domingo van Malabar, etc.) the slaves ‘owned’ by the free burghers were generally given new names. The renaming of slaves was one way of stripping them of their identity.
In some cases the free burghers gave slaves classical names, often based on an emperor or some mythical figure — Alexander, Hector, Titus, Hannibal. Slaves were also given Old Testament names like Adam, Moses, Abraham and David. Others still, were given comical and insulting names such as Dikbeen and Patat.
Many of the slave-holders resorted to giving slaves calendar names based on the month in which they were brought to the Cape, such as February, April and September.

This exhibition, based on interviews with people whose surnames derive from calendar names, opens up dialogue about the way in which the often forgotten and neglected slave past has shaped our heritage not only at the Cape but in South Africa as a whole. In taking up this narrative we wish to pay tribute to the thousands of people forcibly uprooted from their homes in various parts of Africa and Asia, who were brought to the Cape and whose labour contributed to the building of South Africa’s cities, towns and farms.

“If you choose to lie down, then you stay down. But it’s your choice to get up — and these are the stories of those who have. These are stories of hope.”                                                                                                                                                                                                                                                  Archbishop Emeritus Desmond Tutu

The melody of water,
Barefoot along the footpaths,
Fugitive, I am reborn

A residency creation by Geneviève Alaguiry

The aim of the creative residency in Villèle, which opened on Monday 16th October 2023, was to create a sculptural work highlighting the figure of the fugitive slave. It will be presented in the context of the annual ‘20th December’ event held on the site of the Villèle Museum.

The artist Geneviève Alaguiry was commissioned to create the work. In the past, her papier mâché sculptures have attracted attention, notably though the very special effects she has succeeded in developing over the years.

In actual fact, this creative residency has two objectives: first of all creating an original work around the figure of the fugitive slave and secondly inviting the young people of the 31st intake of the Académie des Dalons¹ to contribute to the process of artistic creation, encouraging them to discover the visual arts as a profession, as well as art and creation in general.

Young people from the Académie des Dalons working on the skeleton of the sculpture

The papier mâché sculpture depicts maronèr è maronèz: male and female fugitive slaves emblematic of freedom in Reunion. Five heads of men, women and children are represented emerging out of the cliffs of mountains in the island’s interior. They represent major ethnic groups from Madagascar, Africa and India or Creoles born on the island, all having contributed to creating the population of Reunion as we know it today.

Geneviève Alaguiry’s aim was to focus not on the suffering but on the hopes and dreams of these fugitives, hopes and dreams which became a reality for a certain number of them. This is how she has represented them: at peace and with their eyes closed. The faces are smiling and gazing up towards the ideal of a life of freedom, towards a future they can build for themselves. They are literally stepping out of the two mountain chains separated by the riverbed, the common thread of their journey, symbolic of life.

The melody of water, Barefoot along the footpaths, Fugitive, I am reborn. Sculpture by Geneviève Alaguiry. 2023

They are not simply stepping out of the mountains, but are also contributing to their creation. Cimandef, Marianne, Anchaing, Héva and Mafate: they were the first to discover our mountains, the interior of the island, the remotest spots and the highest peaks, appropriating its steepest slopes. The artist expresses the way in which they tamed the harsh terrain so familiar to them. The footpaths are represented using gold foil, gold being the colour of light and perfection. Light, in its association with life, speaks to us of persons in the past, from social death and their inexistence through being enslaved human beings to Life… a life of freedom through becoming fugitives. From the asphyxiation of an imposed condition, the fugitive achieves perfection through a freedom arduously acquired: “(…) A fugitive, I am reborn.”

Geneviève Alaguiry is a visual artist born on Reunion island in 1986. After graduating with a DNSEP (Diploma in Art) from the Higher School of Art in Reunion in 2010 and obtaining a Masters degree from the University of Paris 8 in 2011, she set about researching on the human condition, questioning issues of the 21st-century social context, when individuals and the world in general have become an economic commodity.

A multidisciplinary artist, Geneviève Alaguiry expresses herself through drawing, the written word, performance, installation, video/animation, sculpture and photography.
She has contributed to several collective exhibitions and attended residences in Paris, Mauritius Island and Reunion.


¹ L’Académie des Dalons is an experimental project set up by the Departmental Council of Reunion, aimed at the social and professional integration of motivated voluntary participants aged between 18 and 25.